The line only exists in relation to the before and after (Silliman, Tjanting 93)
Lines insert false time (Ibid. 86)
This is another sentence. Space is the same in all directions (Ibid. 82)
Margin types its own form. Each sentence is a test (Ibid. 82)
Earlier sentences, our old friend. (Ibid. 82)
The space was the last letter of the alphabet to be invented (Ibid. 90-1)
Again with these quotes. Noticed in my previous post I never got round to dealing with the above in any detail, in fact in not detail at all. Let's take them seriously and somewhat systematically, even though they are not systematic statements of an argument. Still, we are just finding our feet here, or our nounphase's to be more accurate.
The line only exists in relation to the before and after.
-The number three is essential to language. The phrase, line or sentence, depending and which of these units you are dealing with at any one time, and you can be dealing with all three in the poem which makes it so rich, all depend on context for meaning to be broached. This is something we all learned from deSaussure even if his theory of the sign turns out to be a lovely fiction but not much more. The phrase does not mean in an autonomous fashion because its referential field is contingent not necessary. We need to know what came before the phrase, the preconditions of its being uttered, presented, preformed. This is the history of the phrase, and intentionality of a limited sort is to be pursued there. We also need to pay attention to what follows on from the phrase, what it makes happen. This might be called the ethical dimension in a way, the phrase's eventhood. Phrase one is the author function and phrase three the reader function. Lineation is not quite the same as phrase and sentence in this regard. Phrases are separated by space and semiotic marking, as too are sentences, but it is the semiotic excessiveness of lineation that allows for Agamben's definition of the base condition of the poetic.
Lines insert false time (Ibid. 86)
This is another sentence. Space is the same in all directions (Ibid. 82)
Margin types its own form. Each sentence is a test (Ibid. 82)
Earlier sentences, our old friend. (Ibid. 82)
The space was the last letter of the alphabet to be invented (Ibid. 90-1)
Lines insert false time (Ibid. 86)
This is another sentence. Space is the same in all directions (Ibid. 82)
Margin types its own form. Each sentence is a test (Ibid. 82)
Earlier sentences, our old friend. (Ibid. 82)
The space was the last letter of the alphabet to be invented (Ibid. 90-1)
Again with these quotes. Noticed in my previous post I never got round to dealing with the above in any detail, in fact in not detail at all. Let's take them seriously and somewhat systematically, even though they are not systematic statements of an argument. Still, we are just finding our feet here, or our nounphase's to be more accurate.
The line only exists in relation to the before and after.
-The number three is essential to language. The phrase, line or sentence, depending and which of these units you are dealing with at any one time, and you can be dealing with all three in the poem which makes it so rich, all depend on context for meaning to be broached. This is something we all learned from deSaussure even if his theory of the sign turns out to be a lovely fiction but not much more. The phrase does not mean in an autonomous fashion because its referential field is contingent not necessary. We need to know what came before the phrase, the preconditions of its being uttered, presented, preformed. This is the history of the phrase, and intentionality of a limited sort is to be pursued there. We also need to pay attention to what follows on from the phrase, what it makes happen. This might be called the ethical dimension in a way, the phrase's eventhood. Phrase one is the author function and phrase three the reader function. Lineation is not quite the same as phrase and sentence in this regard. Phrases are separated by space and semiotic marking, as too are sentences, but it is the semiotic excessiveness of lineation that allows for Agamben's definition of the base condition of the poetic.
Lines insert false time (Ibid. 86)
This is another sentence. Space is the same in all directions (Ibid. 82)
Margin types its own form. Each sentence is a test (Ibid. 82)
Earlier sentences, our old friend. (Ibid. 82)
The space was the last letter of the alphabet to be invented (Ibid. 90-1)
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