In the opening to Jean-Michel Rabate's recent book Given , he presents the history of aesthetics through considerations of aura, trace and neuter. I will leave to one side whether the neuter is a third aesthetic category or a development of the trace in face of the fading of the aura. In presenting the aura and the trace in this manner, Rabate at one point he cites the perfect dialectic of aesthetics unearthed in Benjamin's Arcades project as located between the trace and the aura. It goes as follows: 'The trace is an appearance of nearness, however far removed the thing that is left behind may be. The aura is the appearance of a distance, however close the thing that it calls forth. In the trace, we gain possession of the thing; in the aura, it takes possession of us.' (Cited in Given 21). The apotropaicism of this comment goes to the very heart of the aesthetic as such which is always in our culture presented as a dialectic and certainly since Hegel a diale...
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