Skip to main content

From "thesecstasies"

she keeps telling me it’s here

not so much the shock of the new as of the same I who pride myself on my “originality” and whatever comes before a fall it’s gotta be high high and that’s for what it’s worth pay the rest to make up your compensation

yes it will make you feel better but it will not cure you I am reliable and informed that there is no cure for the personality life is its own punishment cycle and you gotta “ride” “it” or “it” will “ride” “you” apparently

nowhere is as much a place as somewhere what one should concentrate on is never the prefix but what comes before that and once more for luck accuracy and excess and I feel a little distance come creeping yes

come creeping between them the caesura and the cadence have practically all sewn up she slammed that door so hard the pane shattered pronounced suture I like a mouth full of your marbles

just a version of thought is made in the mouth but is that through this tongue or the space around and life from now on will be like this poem whose form disallows development even as it makes impossible promise the

relationship may your gods save you from the enjambement of true love the process of discarding trousers even as you buy new ones confirms vicissitudinous fashion has a kinky determining rhythm

and that is the rhythmical beat of the promise of rhythm eek-a-mouse unfulfilled access denied truisms no less true for the act of their distortion on the grotesquerie which is what that means

these new pills make me shit and how “sweet yet sad” it is to fuck a stranger even worse to fuck each other into estrangement there is nothing like a little strangeness which logically means everything is

or most things that are I like it like that I really do one can’t put a price on true friendship but let’s for the sake of something you can choose say you can might we be surprised at how cheap it is probably not now we are sophisticates

Comments

Post a Comment

Popular posts from this blog

Deleuze, Difference and Repetition

For a long time I have felt that poetics has not taken into consideration a great deal written about issues pertaining to difference and repetition to be found in contemporary philosophy. As poetry's whole energy and dynamic is based on a fundamental relation to differential versus repeated units of sense (sense both in terms of meaning and the sensible), any work on difference and repetition would be welcome. That some of the greatest thinkers of the age, notably Deleuze and Derrida, have made both issues core to their whole philosophical systems is so remarkable that poetics is impoverished if it does not fully acknowledge this. Not that I am one to talk. Although I am aware of the centrality of Deleuze's work to postmodern poetry, I have as yet not been able to really address this but in Poetry Machines I began that work at least. In preparation for the few hundred words I wrote there, here are the 10,000 words I annotated in preparation. Deleuze, Gilles. Difference an...
Post a Comment
Read more

Frank O'Hara, Collected Poems pp.1-100 Annotated

Frank O’Hara, Collected Poems (Berkeley, Cal.: University of California Press, 1995) Pages 1-100 Close Readings and annotations of every poem in the collection September 1997 in preparation for In the Process of Poetry: The New York School and the Avant-Garde (Bucknell UP, 2001) Frank O’Hara “How Roses get Black”, 3 • the poem seems to contain at least two anti-heroes, the violent “you”, bent on destruction of ornamentation against the modernity of the radiator, burning symbolist roses who also has some biblical precedence with reference to the burning bushes. Then the “I” who is the narrator and thus able to transform the “you” from Moses to John the Baptist by asking for the leonine head of the “you”. This “I” owns and creates the “you”, defining his heroism in the act of destruction which refers of course to the “you’s” act of destroying the roses in the first three stanzas. The line “Heros alone destroy, as I destroy” is straight out of “In Mem...” • what is of issue here is the d...
Post a Comment
Read more

Deleuze and Guattari, Anti-Oedipus

Deleuze's Difference and Repetition is the source for some concepts relating to mechnisation in the later, more famous "Anti-Oedipus". Here are my schematic notes pertaining to the development of my idea of poetry machines. Deleuze, Phillipe and Félix Guattari. Anti-Oedipus: Capitalism and Schizophrenia. Trans. Robert Hurley, Mark Seem and Helen R. Lane. London: Athlone Press, 1990. The Desiring Machines: 1: Desiring-Production It is at work everywhere, functioning smoothly at times, at other times in fits and starts. It breathes, it heats, it eats. It shits and fucks. What a mistake to have ever said the id. Everywhere it is machines—real ones, not figurative ones: machines driving other machines, machines being driven by other machines, with all the necessary couplings and connections. An organ-machine is plugged into and energy-source-machine: the one produces a flow that the other interrupts. The breast is a machines that produces milk, and the mouth a m...
Post a Comment
Read more