Skip to main content

From "thirsty poems"

tarzan goes 50,000 leagues under the sea

not like the submersible crashing through the undergrowth and collapsing from the bulbous nose cone on,
but, actually the submersible crashing through the undergrowth and collapsing from the bulbous nose cone down.

fuck! how the yellow arséd bald headed primates chatter
and rain down their perfectly understandable displeasure.

...coming to the waterhole, there is no fucking
“...coming to the waterhole” permitted here in kinshasa county.

sixty two years and then the subtle contraction I
see myself for the first time as if from some side out side
and once garnered that approach never goes away.
shyness, excruciating rehabilitation of the slightest
faux pas’s and lo! how it escalates so, je souffre!

with fateful momentum, the submersible goes on, fucking up the jaunty
jungle, mangling the delicate, ecospheric, points of balance...balance.

(then. there is my own protestant whiteness
held in behind the glance of you lot up there
for the first time “you love you really love me”
in my rubber suit and my iron helmet I appeal.)

wish me luck and kiss me on the mouth,
and I open the helmet a touch and touch.

I am about to embark on a long and arduous journey
-----
First published in Ramraid Extraordinaire

Comments

Popular posts from this blog

Deleuze, Difference and Repetition

For a long time I have felt that poetics has not taken into consideration a great deal written about issues pertaining to difference and repetition to be found in contemporary philosophy. As poetry's whole energy and dynamic is based on a fundamental relation to differential versus repeated units of sense (sense both in terms of meaning and the sensible), any work on difference and repetition would be welcome. That some of the greatest thinkers of the age, notably Deleuze and Derrida, have made both issues core to their whole philosophical systems is so remarkable that poetics is impoverished if it does not fully acknowledge this. Not that I am one to talk. Although I am aware of the centrality of Deleuze's work to postmodern poetry, I have as yet not been able to really address this but in Poetry Machines I began that work at least. In preparation for the few hundred words I wrote there, here are the 10,000 words I annotated in preparation. Deleuze, Gilles. Difference an...

What we learnt from Cambridge Analytica, Really!

Just over half a year after the Cambridge Analytica scandal broke, the ongoing investigations into the criminal and nondemocratic role that illegal data-harvesting and targeted political ads have had on the election of Trump, and of course Brexit rumble on.  At the same time there is clear disagreement as to what degree companies like Cambridge Analytica in cahoots with the far right and the Russians really skewed recent elections.  It is now clear that what they did was on the edges of legality, but does that mean to say it was wrong?  And if CA did not elect Trump, then what is the real political significance of data-based campaigning?  Prof. Watkin, as ever, thinks we may have fresh insights into the debate.

Frank O'Hara, Collected Poems pp.201-300 Annotated

Frank O’Hara, Collected Poems (Berkeley, Cal.: University of California Press, 1995) Pages 201-300 Close Readings and annotations of every poem in the collection September 1997 in preparation for In the Process of Poetry: The New York School and the Avant-Garde (Bucknell UP, 2001) Frank O’Hara “In the Movies”, 206-209 · interesting that this poem has not been picked up by the critics for it is an easy point to indicate the importance of films in O'Hara’s aesthetic indicating the dissolves, cuts and montage effects he has been credited with and whilst I do not like to appropriate analogous terms in this fashion the montage of O'Hara is easily distinguishable form the collage of Ashbery in that here it is the movement from image to image in an attempt at seamlessness, a basic synaesthesia of subject in the now of consciousness. · in addition to the basic aesthetic implications of this use of films there are also certain other issues that he raises here but does not rea...