Skip to main content

MA Contemporary Literature and Culture


I am in charge of an MA in Contemporary Literature and Culture at Brunel University, West London.


This MA is an English Studies MA focusing on contemporary, English-language cultures and their literatures.


Brunel University is a London-based campus with excellent modern facilities ideal for international and home students alike.


(Picture Shows acclaimed novelist Zadie Smith with Brunel faculty members Celia Brayfield and Fay Weldon. Smith, winner of the Orange Prize for fiction, was speaking at Brunel in December 2006.)

The MA programme is part of a suite of ten MAs in the School of Arts.


The school specialises in the interchange between critical analysis, creative work and technology, and you will be joining a vibrant community of academics and students all working at the cutting edge of contemporary creativity and culture.


The school is also home to an array of writers, musicians, and performers of international reputation.

Each year we recruit significant numbers of international students.


Applications are welcome at any point in the year, the course commences in October.


MA or Postgraduate Degree in...

Contemporary Literature and Culture, Eigentijdse Literatuur en Cultuur, Littérature et culture contemporaines, Zeitgenössische Literatur und Kultur, Σύγχρονοι λογοτεχνία και πολιτισμός, Literatura e cultura contemporary, Современные словесность и культура, Literatura y cultura contemporáneas, Letteratura e coltura contemporanee, Współczesny Literatura i Uprawiać, Contemporan Literatură şi Cultură, Съвременен Литература и Култура, Istodobnik Književnost i Kultura, Současník Literatura a Kultura, Nutids- Litteratur og Kultur, Aikalainen Kaunokirjallisuus ja Kulttuurinen, Samtímamaður Bókmenntir og Menning, Contemporáneo Literatura y Cultura, Moderne Litteraturen og Kulturen, Suvremen književnost pa Kultura, sovrstnik slovstvo ter kultura, Samtida Litteratur och Kultur, aynı zamana ait edebiyat ve kültür.

Comments

Popular posts from this blog

Deleuze, Difference and Repetition

For a long time I have felt that poetics has not taken into consideration a great deal written about issues pertaining to difference and repetition to be found in contemporary philosophy. As poetry's whole energy and dynamic is based on a fundamental relation to differential versus repeated units of sense (sense both in terms of meaning and the sensible), any work on difference and repetition would be welcome. That some of the greatest thinkers of the age, notably Deleuze and Derrida, have made both issues core to their whole philosophical systems is so remarkable that poetics is impoverished if it does not fully acknowledge this. Not that I am one to talk. Although I am aware of the centrality of Deleuze's work to postmodern poetry, I have as yet not been able to really address this but in Poetry Machines I began that work at least. In preparation for the few hundred words I wrote there, here are the 10,000 words I annotated in preparation. Deleuze, Gilles. Difference an

John Ashbery, Self-Portrait in a Convex Mirror

John Ashbery, Self-Portrait in a Convex Mirror (Manchester: Carcanet, 1977) First Published (New York: Viking, 1975) Close Readings and annotations of every poem in the collection March-April 1997 in preparation for In the Process of Poetry: The New York School and the Avant-Garde (Bucknell UP, 2001) Introduction: · Shoptaw notes that this return to poetry is dominated by images of waiting, that narrative (especially fairy-tale) returns, as do the musically based titles, there are no prose poems and no fixed forms such as sonnets of pantoums, most are free verse paragraphs, also bring forward a new American speech, more direct and inclusive. “As One Put Drunk into a Packet-Boat”, 1-2 · Shoptaw notes this was the original title for the collection, marking a self-consciously Romantic return to poetry, recording the thoughts of “I” from afternoon to night, just outside a childhood country home. Has a pastoral crisis narrative in that a summer storm gathers but passes leaving the poet reli

Charles Bernstein, Introduction

Bernstein’s three collections of poetics statements and contributions to the important collection The L=A=N=G… Book have set the agenda for a contemporary, postmodern, experimental aesthetic His comments on absorptive poetics have set the standard for a postmodern poetics developed from the modernist conception of estrangement to be found in Russian Formalism and of course then picked up on by Brecht amongst others. Bernstein on absorption: “By absorption I mean engrossing, engulfing completely, engaging, arresting attention, reverie...: belief, conviction, silence. Impermeability suggests artifice, boredom, exaggeration, attention scattering, distraction, digression, interruptive, transgressive, undecorous, anticonventional, unintegrated, fractured, fragmented...: skepticism doubt, noise, resistance “ (Charles Bernstein, A Poetics Cambridge, Mass.: Harvard University Press, 1992) 29. Bernstein is committed to poetry in all its possible manifestations and several impossible Through the