Skip to main content

From "thesecstasies"

yes yes yes yes yes

men! yes we too have our doubts as to the veracity of laurent kabila but you won’t get anywhere in the next few years unless you are java enabled which kinda takes all the spice out of it

I wish I had the humility to say to her simply please don’t leave don’t leave don’t leave me I mean I can “make” “it” without “you” easy but I don’t want to make it merely you need a little elbow grease

here it is horror as if gagging on pig’s blood what we force on our acolytes but true power is never having to say you’re sorry unless that is your ideology in which case sift the flower fucker sift away

do you have a minute let me tell you desperation is not a flat plane where you have surfaced in dark mists night falls so quickly up here you will survive but your companion she is mine now a part of it so savoury

and one can move around the blankness virtually reality except it is real but why would you want to pretty soon to become connoisseurs of the gradations of the absolutely similar like for like…separate eggs from there shells

“here it is horror” some blame osama bin laden the exiled scion of an enormously wealthy saudi merchant family africa is a so-called soft target if they seem to have no organisation in the face of inconceivabilities well

what does that prove except we know nothing and no more do they there which is where exactly explosives are very easy to make you can download the recipe and then pick an american presence and prey hesto

presto a fiend of fangs and barbed phalluses is indiscernible from the american war machine but better focus on the scores dead and rising you get no better view it really is a featureless flat cake of no-thing-ness gone where once was

I imagine he has cronies he has the neck for it but you won’t get anywhere in the next few years without a fuller sense of what cronyism is if I’d eat shit for you if you would only stay climb the stair you’d be gone for good men!

Comments

Popular posts from this blog

Deleuze, Difference and Repetition

For a long time I have felt that poetics has not taken into consideration a great deal written about issues pertaining to difference and repetition to be found in contemporary philosophy. As poetry's whole energy and dynamic is based on a fundamental relation to differential versus repeated units of sense (sense both in terms of meaning and the sensible), any work on difference and repetition would be welcome. That some of the greatest thinkers of the age, notably Deleuze and Derrida, have made both issues core to their whole philosophical systems is so remarkable that poetics is impoverished if it does not fully acknowledge this. Not that I am one to talk. Although I am aware of the centrality of Deleuze's work to postmodern poetry, I have as yet not been able to really address this but in Poetry Machines I began that work at least. In preparation for the few hundred words I wrote there, here are the 10,000 words I annotated in preparation. Deleuze, Gilles. Difference an...

Postmodern Poetry (2)

Postmodern Poetry, A Definition Postmodern poetry is an international phenomena of aesthetic multiplicities as is typical of many postmodern cultural products. It also operates self-consciously, even foundationally, within a philosophical and/or ideological context where categorisation and closed definition are rejected in favour of investigation and free play. A definition, therefore, can only ever be of a general nature and it must always be accepted that such a definition is closer to a strategy or better, as it is poetry of which we speak, a pattern into which the rangy, tireless energy of the poetry has settled for an unspecified but limited period of time. I could, at this point, pass the buck entirely and suggest that postmodern poetry exceeds definition but this would not be true for it operates within an environment still constituted by modernist values of summation and fixity for which definitions are essential. If I do not impose a definition some other agency will perha...

Frank O'Hara, Collected Poems pp.201-300 Annotated

Frank O’Hara, Collected Poems (Berkeley, Cal.: University of California Press, 1995) Pages 201-300 Close Readings and annotations of every poem in the collection September 1997 in preparation for In the Process of Poetry: The New York School and the Avant-Garde (Bucknell UP, 2001) Frank O’Hara “In the Movies”, 206-209 · interesting that this poem has not been picked up by the critics for it is an easy point to indicate the importance of films in O'Hara’s aesthetic indicating the dissolves, cuts and montage effects he has been credited with and whilst I do not like to appropriate analogous terms in this fashion the montage of O'Hara is easily distinguishable form the collage of Ashbery in that here it is the movement from image to image in an attempt at seamlessness, a basic synaesthesia of subject in the now of consciousness. · in addition to the basic aesthetic implications of this use of films there are also certain other issues that he raises here but does not rea...